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Video · Audio · DRM
Tutorials on converting video and music, notes on DRM-protected media, and a calculator that tells you how big a file will be — or what bitrate you need to hit a target size.
Estimates ignore container overhead (usually 1–2%). Variable-bitrate encodes land near, not exactly on, the target.
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| Format | Type | Best for | Watch out for |
|---|---|---|---|
| MP4 (H.264 + AAC) | Video container | Phones, TVs, browsers, social uploads | Bigger than HEVC/AV1 at the same quality |
| MKV | Video container | Multiple audio tracks and subtitles in one file | Some TVs and editors do not open it |
| MOV | Video container | Apple devices and editing workflows | Large files from cameras and iPhones |
| WMV | Video container | Legacy Windows playback | Poor support on Mac and mobile; convert to MP4 |
| WebM (VP9 / AV1) | Video container | Web video with small files | Slower to encode; older devices lack AV1 decoding |
| MP3 | Lossy audio | Universal music playback | Needs higher bitrate than AAC for the same quality |
| AAC / M4A | Lossy audio | Apple Music, YouTube, phones | Some old car stereos only read MP3 |
| FLAC | Lossless audio | Archiving CDs, editing | Files are 3–5× larger than MP3 |
| WAV | Uncompressed audio | Recording and production | About 10 MB per stereo minute at CD quality |
Every conversion is a trade between size, quality and compatibility. Decide which one matters most before you choose a format, and the right settings usually follow.
Quality lost during compression cannot be restored. Convert from the original recording or the highest-quality copy you have, and avoid converting the same file over and over.
A container such as MP4 or MKV is just the box; the codec inside (H.264, HEVC, AV1, AAC, MP3) decides quality and size. That is why two “MP4” files of the same length can differ wildly in size. If only the container needs to change, look for a “remux” or “copy stream” option — it is nearly instant and lossless.
Bitrate is the amount of data per second. Higher resolution and fast motion need more of it. Use the calculator above to check that a 1080p export will fit on a USB stick or stay under an upload limit before you spend an hour encoding.
Purchases from some stores are locked to an app or device by DRM. Rules about removing that protection differ between countries, so read the store's terms and your local law first, keep copies for personal use only, and support creators by buying legitimately.
Add the video and audio bitrates, multiply by the duration in seconds and divide by 8 to get bytes. For example, 8,000 kbps video plus 192 kbps audio for 10 minutes is about 614 MB. The calculator on this page does the math for you.
MP4 with H.264 video and AAC audio plays on almost every phone, TV, browser and editor. Use MKV when you need several audio tracks or subtitles in one file, and HEVC (H.265) or AV1 when smaller files matter more than compatibility.
No. Converting can keep quality the same at best. Re-encoding a lossy file (such as MP3 or H.264) always discards a little more information, so convert from the best source you have and avoid repeated conversions.
It depends on where you live and how you use the file. Many countries restrict circumventing copy protection even for personal backups. Check your local law and the terms of the store you bought from, and never share protected content.
For AAC, 128–192 kbps is transparent for most listeners; MP3 usually needs 192–320 kbps for similar results. Choose a lossless format such as FLAC only when you plan to edit or archive the audio.
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